داستان A Ramble in Aphasia صفحه 8

'You lie, Elwyn Bellford,' she breathed blissfully. 'Oh, I know you lie!' I gazed dully into the ferns. 'My name is Edward Pinkhammer,' I said. 'I came with the delegates to the Druggists' National Convention. There is a movement on foot for arranging a new position for the bottles of tartrate of antimony and tartrate of potash, in which, very likely, you would take little interest.' A shining landau stopped before the entrance. The lady rose. I took her hand, and bowed. 'I am deeply sorry,' I said to her, 'that I cannot remember. I could explain, but fear you would not understand. You will not concede Pinkhammer; and I really cannot at all conceive of the - the roses and other things.' 'Good-bye, Mr. Bellford,' she said, with her happy, sorrowful smile, as she stepped into her carriage. I attended the theatre that night. When I returned to my hotel, a quiet man in dark clothes, who seemed interested in rubbing his finger-nails with a silk handkerchief, appeared, magically, at my side. 'Mr. Pinkhammer,' he said casually, giving the bulk of his attention to his forefinger, 'may I request you to step aside with me for a little conversation? There is a room here.' 'Certainly,' I answered. He conducted me into a small, private parlour. A lady and a gentleman were there. The lady, I surmised, would have been unusually good-looking had her features not been clouded by an expression of keen worry and fatigue. She was of a style of figure and possessed colouring and features that were agreeable to my fancy. She was in a travelling-dress; she fixed upon me an earnest look of extreme anxiety, and pressed an unsteady hand to her bosom. I think she would have started forward, but the gentleman arrested her movement with an authoritative motion of his hand. He then came, himself, to meet me. He was a man of forty, a little grey about the temples, and with a strong, thoughtful face. 'Bellford, old man,' he said cordially, 'I'm glad to see you again. Of course we know everything is all right. I warned you, you know, that you were overdoing it. Now, you'll go back with us, and be yourself again in no time.' I smiled ironically.

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in anyone, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above. Sue found Behrman smelling strongly of juniper berries in his dimly-lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away when her slight hold upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings. 'Vass!' he cried. 'Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I vill not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der prain of her? Ach, dot poor little Miss Yohnsy.' 'She is very ill arid weak,' said Sue, 'and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibberti-gibbet.' 'You are just like a woman!' yelled Behrman. 'Who said I vill not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go avay. Gott! yes.' Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit-miner on an upturned kettle for a rock. When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

He burrowed in crevices and corners, and found corks and cigarettes. These he passed in passive contempt. But once he found in a fold of the matting a half-smoked cigar, and this he ground beneath his heel with a green and trenchant oath. He sifted the room from end to end. He found dreary and ignoble small records of many a peripatetic tenant; but of her whom he sought, and who may have lodged there, and whose spirit seemed to hover there, he found no trace. And then he thought of the housekeeper. He ran from the haunted room downstairs and to a door that showed a crack of light. She came out to his knock. He smothered his excitement as best he could. 'Will you tell me, madam,' he besought her, 'who occupied the room I have before I came?' 'Yes, sir. I can tell you again. 'Twas Sprowls and Mooney, as I said. Miss B'retta Sprowls it was in the theatres, but Missis Mooney she was. My house is well known for respectability. The marriage certificate hung, framed, on a nail over- ' 'What kind of a lady was Miss Sprowls - in looks, I mean?' 'Why, black-haired, sir, short and stout, with a comical face. They left a week ago Tuesday.' 'And before they occupied it?' 'Why, there was a single gentleman connected with the draying business. He left owing me a week. Before him was Missis Crowder and her two children, that stayed four months; and back of them was old Mr. Doyle, whose sons paid for him. He kept the room six months. That goes back a year, sir, and further I do not remember.' He thanked her and crept back to his room. The room was dead. The essence that had vivified it was gone. The perfume of mignonette had departed. In its place was the old, stale odour of mouldy house furniture, of atmosphere in storage. The ebbing of his hope drained his faith. He sat staring at the yellow, singing gaslight. Soon he walked to the bed and began to tear the sheets into strips. With the blade of his knife he drove them tightly into every crevice around windows and door. When all was snug and taut he turned out the light, turned the gas full on again and laid himself gratefully upon the bed. It was Mrs. McCool's night to go with the can for beer. So she fetched it and sat with Mrs. Purdy in one of those subterranean retreats where housekeepers foregather and the worm dieth seldom.